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Queer and Longing

QaL is a film about queer love, crushes, and fated connections.

This project wouldn’t have been possible without Locke and Stache. They funded everything and I am so grateful for their help and support. I am also so grateful to all of my friends for creating this together.

  • Starring

    Alex Dunn as Fin

    Sherb Cremer as Buzzcut

    Extras:

    The Band - Caron Davis, Josh Cates, Ian Keiser

    Jaylin Early, Dom Pomanto, Bec Elliot, Tanner Armstrong, Tyler Nelson, Pace Evans, Maeve, Connor, Luke Goldston, Eli Barnes, Eli Spear, Lexi, Tiffany Wortham, Bailey Black, Dustin Kirkpatrick, Bryan Elliot, Noah Elliot, Joakima Day, Star Brokate, Carter Breaux, Jaobin Lke

    Production Company - Locke and Stache

    Producer, Writer, Director - Bear Hanrahan

    Executive Producers - Austin Elliot, Chris Olson, Josh Pfaff

    Director of Photography - Joe Ramos

    Production Design - Micah Coss

    Costume Designer - Jason Trent

    Technical Director - Chris Olson

    Camera Operator - Joe ramons

    Swing - Daniel Lee

    Gaffer - Chris Olson

    Production Sound Mixer - Nox Clark

    Hair and Makeup - Jess Avey

    Photographer - Michael Dameron

    TItle Design - Bryan Elliot

    Post Production Supervisor - Dustin Kirkpatrick

    Score - Tyler Durham

    Sound Design & Final mix - Colton Jackson & James Styron

    Editor - Bear Hanrahan

    VFX - Bear Hanrahan

    Colorist - Joe Ramos

    Special Thanks to Davey Grumbine for letting us film in his

    basement/house venue— The Dishpit

    Music

    Thanks For your Patience

    Written and Performed by Theme-Black/Roving

    $400 Everyone Get out (Waltz 2)

    Written and Performed by Pomfret

GoodBear Media handles both full service

and post-production projects

with proven strategies and sorcery.

Scripts are conjured and cameras are deployed,

possessed by pure obsession with the craft.

Raw footage enters The Den of GoodBear, where metamorphosis supplants hibernation.

Entry to The Den of GoodBear is permitted during standard business hours and lunar eclipses.

Memorable motion graphics are invoked from the soupy void. Intentional sound design ensnares entirely.

The pacing is deliberate, seizing and holding the observer’s attention like The Orb of GoodBear.

The Orb has never once blinked first.

Finalized stories emerge, ready to flutter across cyberspace

and sink sharper teeth into viewers.

The export will increase engagement.
Do not fear the export.
You will soon adjust to this new reality.

summon the bear

Pssst…

Click on the stars and toss them around.

It’s fun I promise.